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The biggest, baddest Diamanda Gal‡s interview

 

 
Air  
Damon Albarn 
Andy  
Kevin Ayers 
Baby Dee 
Devendra Banhart 
Beck 
Black Dice  
Hal Blaine 
Brother Ali   
Cat Power   
Nick Cave 
Dewey Cox   
Holger Czukay
Daedelus
Marianne Faithfull  
Bryan Ferry  
Flaming Lips  
Milos Forman  
Robert Fripp  
John Frusciante 
Diamanda Gal‡s  
Matt Groening 
PJ Harvey
Jon Hassell  
Hecuba 
High Llamas 
Scarlett Johansson 
Joy Division 
Laibach 
John Lennon 
Sean Lennon 
Lost in Translation
Lowriders
 
John Lydon 
Magma  
Modulations  
Neon Neon 
Nortec 
One A.M. Radio 
Yoko Ono 

Iggy Pop  

Radiohead 

Lou Reed 
The Residents  
Ryuichi Sakamoto
Elliott Smith 
Sparks 
Super Furry Animals 
Osamu Tezuka  
Scott Walker  
Ken Watanabe   
Wim Wenders  
White Stripes 
Brian Wilson 
Wire 
Robert Wyatt 
XTC   
Neil Young 
Tom ZŽ
 

...and more...

Features

Electronicians' Quarterly

The King Has Red Ears

 



 

 
Editors

RJD2

Angels, Demons and Lisa Germano

Harmonic Hypnotist: Tracing Michael Rother

Matthew Shipp

"In the metaphysical world of making the music there are no labels, there's just making music."

Ecstacy, Generosity, Multiplicity

Terry Riley in the cusp of magic

East Is West Is The Kronos Quartet

Matmos in the mouth of the beast

Mother Sky

Plastic Ono Band

Mayer Hawthorne: from Motown to Our Town

Petra Haden Can See Forever (on a clear day)

1+1=3

Christopher O'Riley's rock/classical equation

Sondre Lerche's Heartbeat Radio

"You can't just write songs when you feel  inspired, you have to keep chasing it."

In the beginning was Les Paul

Moby Made Something Beautiful

Maybe you'll like it, too

Harry Partch's Boxcar Revelations

Jean-Gabriel PŽriot: My Favorite Obsessive-Compulsive Political Filmmaker

Interview by Rika Ohara

Forever Changes: Philip Glass in the time of Music

 

 

 

 

Liars photo: Zen Sekizawa

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