So Percussion neither Anvil nor Pulley
(Cantaloupe)
There are a handful of youngish Ònew musicÓ ensembles,
Ôscuse the moldy term, who bring a needless to say much-needed fresh POV to this new music: It should by all rights be
a music of ideas without being too pointyheaded and cold about it. ThatÕs the real short and crude version of what the
wondrous So Percussion is all about. The NY ensembleÕs new work is a performance of composer/fiddler Dan TruemanÕs
neither Anvil nor Pulley, in which we experience a multi-part, wordless passage through a mesmerizing
place where human beings are apparently finding new ways of being human with the aid of digital technology. Well,
youÕll just have to hear it: This is a beautifully shaded piece strewn with ear-cocking surprises whose overall effect
is a kind of richly satisfying engagement, on the one hand, and beyond all that just a great opportunity for getting
oneÕs ears and brain to enjoy the practice of deeply listening. Painterly nuance abounds in this combining of giant
bass drums and drum machines with TruemanÕs Hardanger fiddle, turntable, digital metronomes, golf video-game
controllers and virtual (real and undefined) instruments. The work is chock to brimming with head-turning timbre
and resonance, and the groupÕs playing mastery is as always impressive, but of course whatÕs more inspiring is their
use of such superior craft to explore a genuinely new music ÐÐ of the unheard, the untried and the why-not. The old
Òinterior landscapeÓ thing you get in major truckloads in this seductively hypnotic music ÐÐ and real exhilaration, too,
for the bravery, sheer intelligence and ÐÐ haha, this is old-school ÐÐ good taste in So PercussionÕs excellent ways of
making music that is so utterly free of clichŽs and tedium.
This digital album should be purchased forthwith. It is available directly
from iTunes
and
Amazon, or you can go a different route and get a neat-o thing: The group has on offer hand-crafted
limited-edition ÒCD-replacementÓ packages ÐÐ repurposed LPs, interactive speaker drivers (used in the performance of
the piece), and interactive tether controllers (also used in the performance of the piece and sold with "Sound Marionette"
custom software created by composer/fiddler Dan Trueman); these can be purchased from the
Cantaloupe Music store.
ÐÐ John Payne
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