Clues, Questions and Corpses


Jack Says
directed by Simon Phillips and Bob Komar


The filmÕs dual plots have in common our protagonist, Jack, a Scotsman whose predilection for women and fighting generally gets him into trouble. The women who get Jack into trouble are annoyingly similar in appearance ÐÐ whether or not that was a choice made by the casting director or a prerequisite for the mystery that ensues remains a question. The story revolves around the question of who is ÒGirl X,Ó and the question of how the two plots against Jack are connected.

The story begins with a black-and-white scene of Jack tied to a chair being brutally beaten by a gang of thugs who berate him about breaking Òthe rules.Ó The next scene is in color, and Jack awakens, bloodied, in a public urinal next to a corpse. From his internal monologue, we learn he has amnesia, and has no idea about what happened. Did he kill the man? Who is he? Where is he? Jack looks at the ID in his wallet, then looks in the mirror to confirm his own name and address. He flees the scene and returns home to clean himself up and find more clues. One clue is a photo of a woman's breasts with no face in the picture. An address in Paris is written on the back. Feeling endangered, Jack goes to Paris to find the mystery woman and learn more about who he is.

The mystery mounts with Jack following a series of clues leading him to several beautiful brunette women connected to his past, one of whom is the lost love of his life. Once again Jack is set up for another murder in Paris, and is pursued by police detectives and thugs. His flashbacks and encounters with the brunettes help him recover his memory, and provide more clues.

Jack Says has to be compared to its predecessor, Memento, the excellent mystery directed by Christopher Nolan in 2000 featuring Guy Pearce as its protagonist, Leonard. While Jack suffers from amnesia, Leonard suffers from a somewhat different condition, short-term memory loss. Leonard also awakens next to a crime scene, has black-and-white flashbacks, and tries to find out what happened by taking photographs, writing notes on them, and tattooing his body with clues. The difference between the two films lies in the narrative structure. One film moves forward in time, while the other moves backward. One protagonist wants his old life back, while the other does not. Jack Says bears so much resemblance to Memento that one is tempted to dismiss it as a ripoff, though perhaps itÕs better regarded as an homage. Either way, if you enjoy a good mystery, Jack Says is worth watching.

ÐÐ Laura Brun